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Willow Pattern Variation by Possil Pottery Glasgow, Scotland
What is Badge Ware?
Transferware from a British Perspective
English Transfer Printed Earthenware at Junagarh Fort, Bikaner, Rajasthan, India
Interview with TCC Member: Tommy Cheatham
Announcing a New Online Transferware Experience
The Right or Wrong Fit
An Attribution for the “Fisherman’s Hut” Pattern
The ‘DUKE OF YORK’ in Color
2020 TCC Research Grant Recipients
Help Needed with Pattern Identification
Bird Over Arched Bridge Pattern
Interview with TCC Members: John and Virginia Goslin
Henshall St. Alban’s Abbey Marked Plate
Transferware Used at Cambridge Colleges
Yet Another Milkmaid: Glasgow Verrieville,This Time
Go Big or Go Home-r
2019 Annual Raffle & Donor Honor Roll
Two Transferware Toby Jugs
Camera Lucida
Broseley - a very particular question
John Yates Mystery
Interview With TCC Member: Elke Walls
Bill Kurau – A Remembrance
One view, two artists, eight patterns
Book Review: Chinoiserie: Printed British Ceramics in the Chinese style 1750 – 1900
Inside a Pattern
Odessa...Where in the World
A New Series of British Views
In Touch with the Past
Interview with TCC Member: Rich Crouch
A Chinese of Rank and a Marked Example
Malayan Longhouse – An Attribution
Blue and White Ceramics: An Enduring Global Obsession
Three Phases of Transferware Repair
Book Review: Historical Guide to Advertising Pot Lids
Book Review: Canadian Advertising Pot Lids
Transferware and locality
The Moore Legacy at Krannert Museum of Art
Interview with TCC member: Ian Harvey
Spring Message from the TCC President
What is in a Name? Ceramics as an Advertising Medium
Super Bowls
British Transferware in Indonesia 1800-1915
Source Prints and Fortuity
Interview with TCC Member: LEN KLING
Musketeer Pattern Follow-Up
A New John Hall & Sons Discovery
Digging Deeper: A New Look at Transferware
Anatomy of Tiles
Transferware Recorder #4
Japan Dreams of Egypt
British Birds Series
Transferware from a British Perspective: Number Thirty-Four
Another Commemorative
“Musketeer”
2017 Annual Meeting Raffle Results
Database News
Stephen Hawkins Patented Bourdaloue & The Mysterious Mr. Wiss.
Ceramics from the Sailing Packet Aurora
Nineteenth Century Ceramics at Whitten House
Transferware from a British Perspective: Number Thirty-Three
How to Pack Pottery
Chinese Influence On British Ceramics
A Serendipity Source Print
TCC’s Database of Patterns and Sources: Hours of Fun!!
“Blue Willow”: Apples or Oranges?
“Game Keeper”: Thoughts and Observations
Shakespeare, Tintern Abbey and the Guillotine: A Swansea Pottery Triology
The “Mander & Weaver” Pill Tile
Transferware from a British Perspective: Number Thirty-One
Vomit Pot
2016 Richards Foundation Research Grant Awards
An Overview of the 2016 TCC Annual Meeting
‘An Australian Bush Scene’
Spode’s Blue Room: History, Repatriation and Restoration
Transferware from a British Perspective: Number Thirty
Transferware at San Francisco International Airport
Geoffrey Godden: A Remembrance
Transferware Collectors Club 2016 Annual Meeting
Copper Plate Re-use at Spode
Transferware in New York’s “North Country:” The Alice T. Miner Museum
“Boy with Whip:” Re-Examining a Well-Known Chinoiserie Pattern
The Sailing Packet Josephine Willis
Transferware from a British Perspective: Number Twenty-Nine
“Durham Ox” Ladle
Parrot Border
Let Us Not Forget
Right on Target: A Transferware Discovery at President Madison’s Home
Which University?
Oriental Birds – Just Another Fantasy...
Transferware from a British Perspective: Number Twenty-Eight
A Simple Primer on Methods of Printing on Ceramics
General Grant in New Hampshire
Nihil sub Sole Novum, or Dennis, Did You Ever Wonder What Happened to Your Jug?
Undocumented Views in Wood’s French Series
Coal Spillings
Two Wedgwood Views of Vesuvius: A Discovery(?) and a Relocation
The ABCs of Alphabet Wares
Transferware from a British Perspective: Number Twenty-Seven
“We’re Dreaming of a Blue Christmas”
My search for British History Source Prints Before and After the Internet
Transferware Collectors in Review: The Sheila French Collection
Beyond Teapots…Transferware Candlesticks
Multi-color printing on ceramics – its earlier than you think
‘New’ Spode Pattern
Transferware Collectors in Review: Trevor and Hazel Kentish
Transferware from a British Perspective: Number Twenty-Six
16 TONS and all that!
Return to Bikaner
2015 Annual Meeting & Special Tour in England
Davenport’s ‘Montreal’ Pattern – A First & Second State?
The Transferware Floor of the Mosque of the Moslem Soldiers of the British Army
Five Varients of “Montmorenci Fall near Quebec”
Why More Adams Ceramics Isn’t
Transferware Collectors in Review: Arleen and Grahame Tanner
Spam, The Internet, Gutta Percha Enamel, and Transferware
Transferware from a British Perspective: Number Twenty-Five
Lady Godiva and Peeping Tom
Something Borrowed...
The Transferware Recorder Images Wanted
More on the Ship Tavern, Water Lane Advertising Plate
Transferware Collectors in Review: Patricia and Colin Parkes
Who Made the Pan
Transferware from a British Perspective: Number Twenty-Three
Transfer-Printed Victorian Tiles
Transferware in Exotic Lands: An Unanticipated Joy of International Travel
The Chief Brigand Series
Transferware from a British Perspective: Number Twenty-Two
Unrecorded “Nuneham Courtenay” View
Beyond Teapots
Eskimos and Huskies: An Arctic Mug
The Glamorgan Pottery Bicentenary
John Meir Pineapple Border Series Footbath
Exhibition Extra
Fanny Kemble: The Actress becomes an Abolitionist
Beauties of England and Wales Source Print
Friends of Blue
Big Brother in a Family of Cups
Commemorating the B&O Railroad in Baltimore
Slightly More of a Good Thing: Spode’s “Rhine” Pattern
Transferware from a British Perspective
The Mount Pleasant Classical Academy
The 14th Annual TCC Meeting
The Transferware Recorder Number One
Inappropriate Patterns for Children, A Sequel
Elephant Tracks: Elephants on Transfer-Printed Wares c. 1790-1850
2013 TCC Raffle Fund Raiser
“Nuneham Courtenay” (“Wild Rose”) Exhibition
Transferware from a British Perspective
Recent Discovery
Fundraising Raffle to Be Held Again in Boston
Transferware from a British Perspective
Beyond Teapots: A Bank and a Medical Slab
The Ceramic Spoils of War: A Catalog of Captured Goods
Staffordshire Pottery on the Gulf Coast
Annual Meeting, Wakefield, MA
“India Vase” by Hicks, Meight & Johnson
Too Much of a Good Thing
Sample Plate “Contest”
Inappropriate Patterns for Children
Transferware from a British Perspective
A Cigarette Box with a Personal Touch
The Timeless Teahouse Patterns
Wanted: Images of British Views
Friends of Blue Annual Meeting
Transferware Calendar for 2013
Transfer Printed Cow Cream jugs
The Other Dark Blue
Confederate Navy Ironstone
Transferware from a British Perspective
Book Review: Extraordinary British Transferware: 1780-1840
Mayer’s “Arms of New Hampshire”
The Woman on the Border of the Plate
From Eastern Port to Eastern Garden Scene - the long way around!
TCC Annual Raffle
Dating Dark Blue American Themed Prints on Pottery
The Plates of the Year
“Grazing Rabbits”
Transferware from a British Perspective: Number Sixteen
TCC Annual Meeting Speakers
Events
TCC’s Annual Show & Sale
Weekend in Photos
The Arms of New Hampshire: Transferware’s Unicorn!
Ceramics from CSS Alabama
“Beemaster” - The Latest Buzz: An Attribution to Hicks & Meigh
Transferware from a British Perspective: Number Fifteen
Don’t Toss That Plate
Period Gentleman and Shepherdess
Letters to the Editor
Beyond Teapots...Mystery Item
Update: On the Trail of Two Rams
Up, Up and Away...in My Transferware Balloon
Minton Tile in the U.S. Capitol
Transferware Raffle
Pekin Japan - a Pattern with a Long Run
Follow-up: Possible “Beemaster” attribution?
Transferware from a British Perspective: Number Fourteen
Friends of Blue Meeting and Lecture
Pickle Sets
Transferware from a British Perspective: Number Thirteen
Animal ABCs
Tiny Claws: A Staffordshire Pattern in Somerset, Ohio
On the Trail of Two Rams
A Brief History of Printed Tiles
The Distinguished Speakers...
Excursion to Portsmouth, NH
TCC 2010 Annual Business Meeting Minutes
Show & Sale Photo Collage
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
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