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2022 XXIII No. 2
Remembering Connie Rogers
Yes – Transfer-printed Tiles are in the Database
Our Love of the Royals and Other Dignitaries on Pottery
Rathbone Earthenware and the “Pekin” Pattern
Utilization Testing of a TCC Logo Mug in a
Standard Household Microwave Oven
Bathed in Color: Aesthetic Wash Sets with Applied Decoration
Pountneys, Bristol: A Case Study of Transfer
Printed Earthenware in India
Have You Seen These Workers’ Marks on John Meir Pieces?
Treaty of Amiens
Interview with TCC Members: Margaret and Mel Blachford
2022 XXIII No. 1
Thomas the Rhymer Teapot - A Favorite Piece
Following On From Two Previous Articles
An Aesthetic Mystery
“Northampton Mass” by Enoch Wood & Sons:
A Design Source Discovery
Ralph Wedgwood for the American Market
Swansea Pottery Double-boxed Tea Caddies
Transfer Scenes with Spatterware or Spongeware Edging
Interview with TCC Member: Susan Ferguson
2021 XXII No. 3
A “Chinese Temple” and Other Objects
The Origins and Evolution of Aesthetic Transferware, c. 1860-1900
Transferware Around the World: Vietnam
What the Reverse Reveals
One Man’s Quest to Discover His Patterson Pottery Roots
My Forbears (by Marriage) Were Crate Makers
Interview with TCC Members: Judie Siddall and David Hoexter
2021 XXII No. 2
Voices of Potters Past
Digging Deeper
William Ridgway Narrow Lace Border
Do you have items for the Database?
Lucking into a “Great Rarity”
2021 TCC Research Grant Recipients
Maker Misidentification: Furnival and the Multiple Foresters
Interview with TCC member: Jeri Golsan
2021 Vol. XXII No. 1
Enoch Wood’s Interchanging Borders And Multi Color Rural Scene
The Mount Pleasant Classical Institution
Chinese Choosing Fabric
Masonic Greek
Stilton Cheese Stands
Transferware at the Dayton Art Institute, Dayton, Ohio
Interview with TCC Member: Jo Anne Jones
2020 Vol. XXI No. 3
Willow Pattern Variation by Possil Pottery Glasgow, Scotland
What is Badge Ware?
Transferware from a British Perspective
English Transfer Printed Earthenware at Junagarh Fort, Bikaner, Rajasthan, India
Interview with TCC Member: Tommy Cheatham
2020 Vol. XXI No. 2
Announcing a New Online Transferware Experience
The Right or Wrong Fit
An Attribution for the “Fisherman’s Hut” Pattern
The ‘DUKE OF YORK’ in Color
2020 TCC Research Grant Recipients
Help Needed with Pattern Identification
Bird Over Arched Bridge Pattern
Interview with TCC Members: John and Virginia Goslin
Henshall St. Alban’s Abbey Marked Plate
2020 Vol. XXI No. 1
Transferware Used at Cambridge Colleges
Yet Another Milkmaid: Glasgow Verrieville,This Time
Go Big or Go Home-r
2019 Annual Raffle & Donor Honor Roll
Two Transferware Toby Jugs
Camera Lucida
Broseley - a very particular question
John Yates Mystery
Interview With TCC Member: Elke Walls
2019 Vol. XX No. 3
Bill Kurau – A Remembrance
One view, two artists, eight patterns
Book Review: Chinoiserie: Printed British Ceramics in the Chinese style 1750 – 1900
Inside a Pattern
Odessa...Where in the World
A New Series of British Views
In Touch with the Past
Interview with TCC Member: Rich Crouch
2019 Vol. XX No. 2
A Chinese of Rank and a Marked Example
Malayan Longhouse – An Attribution
Blue and White Ceramics: An Enduring Global Obsession
Three Phases of Transferware Repair
Book Review: Historical Guide to Advertising Pot Lids
Book Review: Canadian Advertising Pot Lids
Transferware and locality
The Moore Legacy at Krannert Museum of Art
Interview with TCC member: Ian Harvey
2019 Vol. XX No. 1
Spring Message from the TCC President
What is in a Name? Ceramics as an Advertising Medium
Super Bowls
British Transferware in Indonesia 1800-1915
Source Prints and Fortuity
Interview with TCC Member: LEN KLING
2018 Vol. XIX No. 2
Musketeer Pattern Follow-Up
A New John Hall & Sons Discovery
Digging Deeper: A New Look at Transferware
Anatomy of Tiles
Transferware Recorder #4
2018 Vol. XIX No. 1
Japan Dreams of Egypt
British Birds Series
Transferware from a British Perspective: Number Thirty-Four
Another Commemorative
“Musketeer”
2017 Annual Meeting Raffle Results
2017 Vol. XVIII No. 2
Database News
Stephen Hawkins Patented Bourdaloue & The Mysterious Mr. Wiss.
Ceramics from the Sailing Packet Aurora
Nineteenth Century Ceramics at Whitten House
Transferware from a British Perspective: Number Thirty-Three
How to Pack Pottery
Chinese Influence On British Ceramics
2017 Vol. XVIII No. 1
A Serendipity Source Print
TCC’s Database of Patterns and Sources: Hours of Fun!!
“Blue Willow”: Apples or Oranges?
“Game Keeper”: Thoughts and Observations
Shakespeare, Tintern Abbey and the Guillotine: A Swansea Pottery Triology
The “Mander & Weaver” Pill Tile
Transferware from a British Perspective: Number Thirty-One
Vomit Pot
2016 Vol. XVII No. 2
2016 Richards Foundation Research Grant Awards
An Overview of the 2016 TCC Annual Meeting
‘An Australian Bush Scene’
Spode’s Blue Room: History, Repatriation and Restoration
Transferware from a British Perspective: Number Thirty
Transferware at San Francisco International Airport
2016 Vol. XVII No.1
Geoffrey Godden: A Remembrance
Transferware Collectors Club 2016 Annual Meeting
Copper Plate Re-use at Spode
Transferware in New York’s “North Country:” The Alice T. Miner Museum
“Boy with Whip:” Re-Examining a Well-Known Chinoiserie Pattern
The Sailing Packet Josephine Willis
Transferware from a British Perspective: Number Twenty-Nine
“Durham Ox” Ladle
2015 Vol. XVI No. 4
Parrot Border
Let Us Not Forget
Right on Target: A Transferware Discovery at President Madison’s Home
Which University?
Oriental Birds – Just Another Fantasy...
Transferware from a British Perspective: Number Twenty-Eight
A Simple Primer on Methods of Printing on Ceramics
General Grant in New Hampshire
Nihil sub Sole Novum, or Dennis, Did You Ever Wonder What Happened to Your Jug?
2015 Vol. XVI No. 3
Undocumented Views in Wood’s French Series
Coal Spillings
Two Wedgwood Views of Vesuvius: A Discovery(?) and a Relocation
The ABCs of Alphabet Wares
Transferware from a British Perspective: Number Twenty-Seven
“We’re Dreaming of a Blue Christmas”
My search for British History Source Prints Before and After the Internet
Transferware Collectors in Review: The Sheila French Collection
Beyond Teapots…Transferware Candlesticks
2015 Vol. XVI No. 2
Multi-color printing on ceramics – its earlier than you think
‘New’ Spode Pattern
Transferware Collectors in Review: Trevor and Hazel Kentish
Transferware from a British Perspective: Number Twenty-Six
16 TONS and all that!
Return to Bikaner
2015 Vol. XVI No. 1
2015 Annual Meeting & Special Tour in England
Davenport’s ‘Montreal’ Pattern – A First & Second State?
The Transferware Floor of the Mosque of the Moslem Soldiers of the British Army
Five Varients of “Montmorenci Fall near Quebec”
Why More Adams Ceramics Isn’t
Transferware Collectors in Review: Arleen and Grahame Tanner
Spam, The Internet, Gutta Percha Enamel, and Transferware
Transferware from a British Perspective: Number Twenty-Five
2014 Vol. XV No. 3
Lady Godiva and Peeping Tom
Something Borrowed...
The Transferware Recorder Images Wanted
More on the Ship Tavern, Water Lane Advertising Plate
Transferware Collectors in Review: Patricia and Colin Parkes
Who Made the Pan
Transferware from a British Perspective: Number Twenty-Three
2014 Vol. XV No. 2
Transfer-Printed Victorian Tiles
Transferware in Exotic Lands: An Unanticipated Joy of International Travel
The Chief Brigand Series
Transferware from a British Perspective: Number Twenty-Two
Unrecorded “Nuneham Courtenay” View
Beyond Teapots
2014 Vol. XV No. 1
Eskimos and Huskies: An Arctic Mug
The Glamorgan Pottery Bicentenary
John Meir Pineapple Border Series Footbath
Exhibition Extra
Fanny Kemble: The Actress becomes an Abolitionist
Beauties of England and Wales Source Print
2013 Vol. X1V No. 3
Friends of Blue
Big Brother in a Family of Cups
Commemorating the B&O Railroad in Baltimore
Slightly More of a Good Thing: Spode’s “Rhine” Pattern
Transferware from a British Perspective
The Mount Pleasant Classical Academy
The 14th Annual TCC Meeting
The Transferware Recorder Number One
2013 Vol. XIV No. 2
Inappropriate Patterns for Children, A Sequel
Elephant Tracks: Elephants on Transfer-Printed Wares c. 1790-1850
2013 TCC Raffle Fund Raiser
“Nuneham Courtenay” (“Wild Rose”) Exhibition
Transferware from a British Perspective
Recent Discovery
2013 Vol. X1V No. 1
Fundraising Raffle to Be Held Again in Boston
Transferware from a British Perspective
Beyond Teapots: A Bank and a Medical Slab
The Ceramic Spoils of War: A Catalog of Captured Goods
Staffordshire Pottery on the Gulf Coast
Annual Meeting, Wakefield, MA
“India Vase” by Hicks, Meight & Johnson
Too Much of a Good Thing
2012 Vol. X11I No. 3
Sample Plate “Contest”
Inappropriate Patterns for Children
Transferware from a British Perspective
A Cigarette Box with a Personal Touch
The Timeless Teahouse Patterns
Wanted: Images of British Views
Friends of Blue Annual Meeting
2012 Vol. X1II No. 2
Transferware Calendar for 2013
Transfer Printed Cow Cream jugs
The Other Dark Blue
Confederate Navy Ironstone
Transferware from a British Perspective
Book Review: Extraordinary British Transferware: 1780-1840
2012 Vol. XIII, No. 1
Mayer’s “Arms of New Hampshire”
The Woman on the Border of the Plate
From Eastern Port to Eastern Garden Scene - the long way around!
TCC Annual Raffle
Dating Dark Blue American Themed Prints on Pottery
The Plates of the Year
“Grazing Rabbits”
Transferware from a British Perspective: Number Sixteen
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