GrantsLaunched in 2009, The Paul and Gladys Richards Charitable Foundation Research Program for the study of British Transferware, dedicated to supporting research focused on British transferware produced between 1750 to 1900, has funded seventeen projects.
Yellow Transfer Printed Brown Ware – referred to here as YPB – is a type of transferware that has only recently been added to the TCC Database. Some collectors of transferware may not be aware of this type of transfer decoration as it is not commonly found. Over the years, I have noted a number…
A request from Tony Calvin of Cumbria, England about a possible attribution of a jug to the (John) Wilkinson Pottery of Whitehaven, West Cumberland (1820-1867), led to the serendipitous discovery of the uses of the rare egg-shaped transfer printed objects that I have been fascinated by for years…
Very little is known today about the life of early 19th century artist Elizabeth Frances Batty. She was the sister of Captain Robert Batty, a member of the Grenadier Guards whose military career was ended by wounds received at the Battle of Waterloo, and who was also an artist. Although like her…
Introducing a new book that details the process of engraving a transferware pattern on to a copper-plate. This 272-page soft-back book covers a ten-year quest by the author who recorded the engraving of a new pattern from start to finish, with every line cut and every dot punched throughout its completion. The author, Richard visited an ex-Spode engraver at his house in Stoke-on-Trent every couple of weeks throughout the ten-year period and recorded in great depth, the work that was undertaken. This started with a visit to the coppersmith to buy a copper-plate and ended at Portmeirion with the production of a limited edition 10” dinner plate.
Engraving, through a seven-year apprenticeship, was a skill learnt through observational learning, transmitted from master to apprentice. There were no guide books or instructional manuals, thus making the recording of these skills so important. Richard took it upon himself to fully document this amazing and often overlooked process before it is too late and the skills are lost forever.
The 9” x 6”, full-color book details the tools, the techniques and the processes before the full documentation of the engraving. Whilst not directly related to the engraving process, the author decided to use the new engraving to make a limited-edition ceramic at the Portmeirion factory in Stoke-on-Trent. These fifty ceramic plates are available as an optional purchase.
TCC members will get a 50% discount on the book for the first three months, therefore: Until February the 14th, 2026 the book will be £12.50 (UK shipping £5, International £12, including tariffs)
Ceramic is £25 (UK shipping £8, International £30, both with a book)
Regular price after that date and to non-TCC members will be £25 for the book
Please email Richard at blueandwhite@btinternet.com for further details.
blueandwhite@btinternet.comThe ink was hardly dry on India on Transferware at its publication in October 2009 before additional patterns and better images of some objects started showing up. I have been accumulating this new information ever since and now feel that I have enough stored up to issue this supplement. Since it is appearing in digital format, I will be able to update it as more material shows up. The new information which follows is set out in the same order as the chapters in the book so that readers can easily relate the information in the supplement to the original. Readers are reminded that all the patterns in both the book and supplement can be searched in the Transferware Collectors Club database of patterns and sources. I have decided not to sell this supplement but simply to issue it in .pdf format for anyone to download, with the caveat that there may be further revisions. The original book is still available on Amazon or through me directly. My email address is msack@michaelsack.com.
Download supplement.Advertising pot lids can be found from many countries particularly English-speaking nations and are collected by a dedicated group of enthusiasts across the world. These fascinating transfer-printed ceramic containers often feature inventive designs as well as details of the individuals and companies that sold them. They were used to retail commodities such as tooth paste, cold cream, food pastes, hair preparations, ointments & salves, and a range of other products. The vast majority were originally thrown away after a single use and have been re-discovered over the past 50 years or so from the excavation of former rubbish tips.
It has taken 11 years to compile this book, which is the result of contributions from hundreds of collectors from around the globe. It aims to catalogue, as far as possible, all UK and Irish advertising pot lids that were used broadly between 1830 and 1930, as well as providing a brief overview of examples that were used in other countries.
This guide records over 8,500 different examples, features over 7,500 images and provides trading details on over 600 businesses that used them. It is the authors’ intention to continue cataloguing examples not featured and publish a supplement to this book when feasible.
Printing supported by a TCC Paul and Gladys Richards Charitable Foundation Research Program grant.
Pricing:
Standard - £120 (hard-cover but very limited availability; priority to contributors); £70 soft-cover.
TCC Members - £100 (hard-cover) and £60 (soft-cover)
Contact seller for shipping estimate / cost jimlayden1@gmail.com
Also available: Historical Guide to Advertising Pot Lids, Update including a Guide to Beauty Pots
Contact seller
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.

Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum

Launched in 2015 in partnership with the Northern Ceramic Society.
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