

The reputation of Henry and Richard Daniel is based on their glorious porcelain but, in spite of its importance to the commercial success of the company, little has been written about their huge production of earthenware. Signposts to Daniel earthenwares were provided in the pioneering works of Geoffrey Godden and Michael Berthoud, but few have followed that path until now. This is the first book to attempt a comprehensive survey of the various shapes and patterns produced in earthenware by H&R Daniel and to differentiate them from other contemporary manufacturers such as Thomas Dimmock & Co, to whom they are frequently attributed.
Brian Smith and Bryan Beardmore have between them over fifty years experience in identifying and collecting Daniel, and are co-authors of the most recent work on Daniel porcelain tablewares. John and Jeannette Simpson had considerable experience as technical authors before being drawn into the ceramics world, and since 2010 have been editors of the Journal of the Daniel Ceramic Circle.
Foreword by Geoffrey A Godden
Published in a limited edition of 200 copies by the Daniel Ceramic Circle with the generous support of the Transferware Collectors Club through the Paul and Gladys Richards Charitable foundation Research Program.
134 pages, paperback, printed in full colour throughout.
ISBN: 978-0-9562391-2-9
Cover price £25 but for TCC members there is a special price of £20.
Shipping extra – within UK £3, overseas buyers please enquire.
To order this book please email dcc@simpson.uk.com or see website www.danielcc.org
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
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Launched in 2015 in partnership with the Northern Ceramic Society.
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