‘Sawney’s Defence’: Anti-Catholicism, Consumption and Performance in 18th-Century Britain
This article examines an 18th-century English transfer-printed quart mug, printed with an image derived from a popular anti-Catholic satire from about 1779. The article explores the relationship between object, image and audience, locating the mug within a nexus of Protestant masculine sociability that extended across the social hierarchy. Drawing upon existing forms of printed polemic, the mug shaped and was shaped by extra-Parliamentary political action, primarily in the form of toasting. This opened up possibilities for representation beyond those embedded in print culture, bringing a crucial performative element to an otherwise fixed point of polemical reference.