

This article examines an 18th-century English transfer-printed quart mug, printed with an image derived from a popular anti-Catholic satire from about 1779. The article explores the relationship between object, image and audience, locating the mug within a nexus of Protestant masculine sociability that extended across the social hierarchy. Drawing upon existing forms of printed polemic, the mug shaped and was shaped by extra-Parliamentary political action, primarily in the form of toasting. This opened up possibilities for representation beyond those embedded in print culture, bringing a crucial performative element to an otherwise fixed point of polemical reference.
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
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