Patterns of the Month
18,311 patterns and 1,133 sources and still growing.
Each month we feature a new pattern from our Pattern and Source Print Database and archive them on these pages.
Members only: for more information about these patterns and to see other similar patterns, search the Pattern and Source Print Database.
(Click on thumbnails to see larger images)
Shown is a 10.5 inch plate from the "Napoleon's Battles" series. It was made by Charles James Mason & Co. (1826-1845). It depicts "The Battle of "Austerlitz (the title of the battle is at the bottom of the central scene). The Battle of Austerlitz, also known as the Battle of the Three Emperors, is considered perhaps the greatest of Napoleon's victories.
Shown is a 5.25 inch saucer. It was made by R. Davies & Co. (1833-1844). The pattern illustrates the city of Christiania, which is now known as Oslo. Oslo was founded in the 11th century, but became known as Christiania to honor the Danish and Norwegian King Christian in the 17th century. The name reverted to Oslo in 1926. Oslo is the capital of Norway.
Tomb of the Emperor Shah Jehan
Shown is an 18.25 inch platter titled “Tomb of the Emperor Shah Jehan.” It was made by John Hall (& Sons) around 1825. The pattern is based on a print, “The Taj Mahal, Tomb of the Emperor Shah Jehan and his Queen” from the book “A Picturesque Tour along the Rivers Ganges and Jumna in India” by Charles Ramus Forrest, which was published in 1824.
Zeus (Jupiter) in his Chariot
“Oriental Scenery” series
Shown is a 6.625 inch plate in John Hall (& Sons), 1814-1832, “Oriental Scenery” series. The pattern is from a series of Indian views, and this one is titled “City Of Benares.” It is copied from Charles Ramus Forrest’s book “A Picturesque Tour along the Rivers Ganges and Jumna in India,” which was published in 1824.
"A Ride On Carlo"
Children's plates and mugs were often given as rewards for good behavior, christening presents, and as teaching tools. Shown is an unusual pattern on a 7.5 inch plate which features the musical notes that are named for the first seven letters of the alphabet. These letter names are used over and over as you go up the piano keys: ABCDEFGABCDEFG.
"Anglais" which is the French word for "English," was made by William Alsager Adderley (1876-1905).
This pattern, which is found on a 16 inch by 12.5 inch platter, is part of a series of famous English tourist spots and castles. The asymmetrical Aesthetic style lends itself to more than one view. The large view depicts Warwick Castle and the small view depicts Guy's Cliffe. The naturalistic border is filled with flowers, ivy and ferns. Look for the spider and web in the left-hand corner. The registry mark is for October 20, 1883.
"At The Zoo"
Seen here is a 9.75 inch plate printed in black and red in the Ayam-Jantan pattern made by J & M P Bell & Co. (1842-1928) in Glasgow Scotland. The Rd. Number, 17429, is circa 1891. The pattern has a non-English descriptive title as it was intended for the South East Asia market. Visit more information and other archived patterns to learn more about this pattern.
This Aesthetic pattern 7.5 inch plate was made by James Broadhurst & Sons Ltd. (1847-1984). The pattern was registered March 16, 1883. Members only: for more information about this pattern and to see other similar patterns, search the Pattern and Source Print Database.
"Chinese Market Stall"
Maker Unknown. This pattern is shown on a pearlware well and tree platter measuring 13 5/8” by 18 1/4” and is printed in underglaze blue with overglaze clobbering in shades of rust red and ochre enameling on the edge. The added coloring is unusual on a pattern of this type. Found on the back is an impressed “18” mark indicating the size of the dish and a blue hand painted “X” printer's mark. The border incorporates geometric shapes and picture medallions. Examples are known both with and without the name 'Wear Sc.' at the end of a fence in the design. [Not present on this piece.] The pattern is frequently attributed to Andrew Stevenson of Cobridge, Staffordshire, on the grounds of its resemblance to other marked similar patterns.