

18,112 patterns and 1,119 sources and still growing.
Each month we feature a new pattern from our Pattern and Source Print Database and archive them on these pages.
Members only: for more information about these patterns and to see other similar patterns, search the Pattern and Source Print Database.
(Click on thumbnails to see larger images)
Shown is a 2.64 inch pot lid that advertises Circassian Cream. It was a relatively expensive cold cream or pomade, which was used during the Victorian period. Circassia was located in eastern Europe near the northeastern Black Sea coast. Price & Co. was located in London at various addresses, 28 Lombard Street at the time this lid was produced. In addition to cold creams, the company produced bears grease pomades, tooth pastes, and other products. For TCC members, this is pattern #20337 in the TCC Database of Patterns and Sources.
This pattern is part of a dinner service of 100 pieces decorated with birds, fish, and other animals in a natural setting. It was made by T.C. Brown-Westhead, Moore & Co.(1862-1905), and was designed by the artist Edward Kennard. For members, this pattern is 14185 in the TCC Database of Patterns and Sources.
This 19th century mug was intended for a child. However, it is a pattern that would be considered inappropriate for children in the 21st century. “The Death Of Rover,” is copied from Thomas Bewick’s “A General History of Quadrupeds,” which was first published in 1790. Hanging was a way of killing dogs who harmed livestock. To learn more about it, see pattern #19043 in the Database of Patterns and Sources.
An uncommon polychrome (Prattware) advertising pot lid, inasmuch as the producer name is rarely printed with the pattern. Of particular interest is that the same pattern was used for four different hairdressers, all located on the same street in Manchester, England. For more information, see Pattern 20517 in the TCC Database of Patterns and Sources (members only). Many hundreds of polychrome pot lids were produced in the mid and late 19th century, and are well documented in a series of references.
Shown is a 10.375 inch soup plate from the “Gainsboro” series. Each pattern in the series depicts a different variety or variation of fruit in the Aesthetic style. The TCC Database of Patterns and Sources includes 13 Gainsboro patterns, and this one is #12. The DB entry identifies the fruit as peaches; we think they are plums! The series was made by Brown-Westhead, Moore & Co. (1862-1904) for the French market.
Seen is a polychrome jar printed with “The Chalees Satoon,” made by John & Jos Mayer (1842-1855). The Chalees Satoon, or Forty Pillars, was a pavilion attached to the palace of the Emperor Akbar in the Fort of Allahabad in Uttar Pradesh, India. This type of jar usually held fish or meat paste. The pattern, #15692 in the TCC database, shows four source prints as well as the other side of the jar.
Rich with content for ceramic collectors, researchers, authors, curators, and historic archaeologists, the sites are sure to deliver value for their visitors. The exhibition’s curators continue to enhance them and, now, with site application upgrades, including a new magnification feature and upgraded content management capabilities, the TCC and its collaborators are pleased to relaunch these exhibits, all free to a worldwide audience.
Branded Patriotic America, debuted in 2014 in collaboration with Historic New England, and the Winterthur Museum
Launched in 2015 in partnership with the Northern Ceramic Society.
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