Patterns of the Month: AestheticEach month we feature a new pattern from our Pattern and Source Print database and archive them on these pages by category. |
||||||||||||||||
Alaska Seen is the “Alaska” pattern by Ralph Hammersley (& Son), 1859-1905. It is an Aesthetic pattern in the Japanesque style that was popular at the end of the 19th century. The name, “Alaska,” seems to have little to do with the pattern. Members only: for more information about this pattern and to see other similar patterns, search the Pattern and Source Print Database. |
||||||||||||||||
“Gainsboro” Series Seen here is a 10.37 inch plate from the “Gainsboro” series of twenty-four different botanical patterns. It was made by Brown-Westhead, Moore & Co. (1862-1904). The marks tell us that the pattern was registered on June 3, 1884 and the shape was registered on December 2, 1879. Members only: for more information about this pattern and to see other similar patterns, search the Pattern and Source Print Database. |
||||||||||||||||
Kennard Birds and Fish Series Seen is pattern no. 63 in the series known as the Kennard Birds and Fish Series. The mark includes the name of the artist, Edward Kennard (1842-1910), as well as the manufacturer, T.C. Brown-Westhead, Moore & Co. (1862-1902), and the retailer, John Mortlock. The pattern is part of a dinner service of 100 pieces decorated with birds, fish and other animals in a natural setting. Members only: for more information about this pattern and to see other similar patterns, search the Pattern and Source Print Database. |
||||||||||||||||
Blue Vase With Portrait
|
||||||||||||||||
"Ayam-Jantan"
|
||||||||||||||||
"Congo" Seen here is a 10.5 inch plate printed in the "Congo" pattern by Forester & Hulme (1887-1892). It is common for an Aesthetic pattern to have a place name as the title, although the birds and plants here seem to have little to do with the Congo. Members only: for more information about this pattern and to see other similar patterns, search the pattern and source print database . |
||||||||||||||||
"Canterbury"
|
||||||||||||||||
"Variety"
|
||||||||||||||||
|
||||||||||||||||
"Belmont" |
||||||||||||||||
| "Devonshire" pattern on earthenware in underglaze brown by Ridgways, Staffordshire, circa 1880. This plate is an example of Aesthetic Movement transferware. | ||||||||||||||||
"Spray" Plate, 9.75 inches. Made by William Baker & Co. (1839-1932), this pattern is typical of the Aesthetic Movement (1868-1901); it is asymetrical with a small reserve and large surrounding border-like patterns. Sometimes the title seems unrelated to the pattern, but in this case, "Spray" refers to the sprays of blackberries, morning glories and ivy that comprise the border. For more nformation about this pattern, see "Spray" in the pattern and source print database. For more information about Aesthetic Movement pottery, search the Aesthetic category in the pattern and source print database. |
||||||||||||||||
See other Patterns of the Month by category:
|
||||||||||||||||














This pattern, which was made by Ridgways (1879-1916), is transfer-printed on a 7.38 inch plate. The RD number shows that this pattern was made in 1884. The pattern is very similar to the Devonshire pattern that was also made by Ridgways. Members only: for more information about this pattern and to see other similar patterns, search the 


